Stages of restoration before treatment (left), after the removal of oxidized varnish and overpaint and the application of fillings (center) and after the application of final varnish and retouching. Stages of restoration before treatment (far left), after the removal of oxidized varnish and overpaint (center left), after the application of fillings (center right) and after the application of final varnish and retouching (far right). Creation and replacement of missing ornamentation on a wooden frame. Application of transparent layers of retouching. Dry and wet cleaning of the verso of a stretcher in preparation for backing. A protective backing was applied before packing and transport. Application of tinted fills to cracks on a ceiling fresco by the Asam brothers, Abteikirche Maria Himmelfahrt, Aldersbach. Application of tinted fills to cracks on a ceiling fresco by the Asam brothers, Abteikirche Maria Himmelfahrt, Aldersbach. Application of tinted fills to cracks on a ceiling fresco by the Asam brothers, Abteikirche Maria Himmelfahrt, Aldersbach. Removal of overpainting during the cleaning process of a copy of a Sir Joshua Reynolds Self Portrait. Stages of restoration before treatment (left), after the removal of oxidized varnish and overpaint and before the removal of old unnecessary fillings (center) and after the application of final varnish and retouching. Stages of restoration before treatment (far left), after the removal of oxidized varnish and overpaint (center left), after the removal of old unnecessary fillings (center right) and after the application of final varnish and retouching (far right). Stages of restoration before treatment (far left), after the removal of oxidized varnish and overpaint (center left), after the removal of old unnecessary fillings (center right) and after the application of final varnish and retouching (far right). Cleaning and re-gilding of gilt and polychrome sculptures from the cloister of the Benedictine Abbey in Tyniec, Poland. Removal of soot and surface accretions from gilt and polychrome sculptures in the cloister of the Benedictine Abbey in Tyniec, Poland. Retouching of florals on the painted ceiling of Michelsberg Monastery in Bamberg, Germany. Slide 1 Slide 1 (current slide) Slide 2 Slide 2 (current slide) Slide 3 Slide 3 (current slide) Slide 4 Slide 4 (current slide) Slide 5 Slide 5 (current slide) Slide 6 Slide 6 (current slide) Slide 7 Slide 7 (current slide) Slide 8 Slide 8 (current slide) Slide 9 Slide 9 (current slide) Slide 10 Slide 10 (current slide) Slide 11 Slide 11 (current slide) Slide 12 Slide 12 (current slide) Slide 13 Slide 13 (current slide) Slide 14 Slide 14 (current slide) Slide 15 Slide 15 (current slide)